Pesky Q & A

Posted on 09. Apr, 2010 by sethcaskey.

Holy crap it’s been a long time since I’ve updated this blog. Lots of great things have been happening in the past couple of months, which unfortunately has redirected much of my time. (read: excuse) That aside, I would like to continue my thoughts on getting the most out of casting director workshops.

Let’s get started.

Regardless of the format that you choose, each CD workshop you attend will have some sort of question and answer time. This is where actors can ask questions, learn about current projects and any specifics about the CDs particular office.

At first glance, this would appear to be a fairly straightforward time of the eventing. Oh, but it’s not….If there’s one thing that I hear from CDs all the time is that they can smell desperation a mile away. Actors who come into an audition or a meeting needing or wanting approval is an immediate turn-off.

So here’s the thing. (And I’m going to be brutally honest here.)

• Don’t use this time to suck up.
• Don’t try and impress the CD.
• Don’t be a desperate actor.

Seriously folks. I cringe out of embarrassment when I hear some of the questions people ask.

My #1 recommendation to for getting the most out of a casting director workshop is: Beeeeee yourself!

Yes, there is some important information that you should walk out knowing (and for that I have put together a little form if you care to use it). But remember, CDs are there to get to know you as a person.

Fact:

1. A casting director is never going to hire you on the spot. Ever.
2. It is HIGHLY* unlikely that you are going to be offered an audition on the spot.
3. There is no job on the line. It’s not a interview. It’s simply an opportunity for a person (casting director) to meet and connect with another person (new actor). Period.
4. Take all of the pressure off of yourself of getting this person to like you and trying to impress them – and just have fun!

I know that sounds too simple to be true, but I promise you – less is more.

1. Be a nice, fun PERSON.
2. Do good work.
3. Ask intelligent and appropriate questions.
4. Trust that you are enough.

If this sounds harsh, I apologize. After having done literally hundreds of casting director workshops, it pains me to know a wonderfully talented actor who tries too hard to make a good impression and ends up achieving the opposite.

That’s it?

So that you know that I’m not just venting, but am attempting to provide something useful with this post – I have put together a little download for you. This is a mash-up of something a friend gave me a while back along with some great questions that you should ask a CD. Enjoy.

• Sample CD Workshop Q & A

(*Out of the hundreds of actors I have read with at workshops, only ONCE has a casting director ever offered an actor an audition on the spot. Even then, she told the actor that they wanted to bring them in the following day for a project she was casting. After the actor left, the CD called her assistant and had them make the appointment with the actors representation. ONCE.)

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Who are you talking to?

Posted on 28. Jan, 2010 by sethcaskey.

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Are you meeting the CD, Associate or Assistant

Making the most of your workshop experience involves doing some research before you go in to the room.

As defined by CSA (Casting Society of America): CASTING DIRECTOR – The producer’s representative responsible for choosing performers for consideration by the producer or director.

So, does it really matter who you are meeting?

• Each office is different, and responsibilities will vary (we’ll talk about how to find out this info next week)
• Meeting more than one person in an office is a great way for actors to create some name recognition. Then no matter who answers the phone when your representation calls to pitch, chances are that the person on the other end already knows your work
• Assistants & Associates want to find new talent to bring to the CD (it makes them look good)
• In some offices, the Associate is the point person for the smaller co-star roles
• Assistants and Associates are the CDs of tomorrow

What are they working on RIGHT NOW?

Most casting professionals work freelance. Research what projects they are currently casting

• Casting About
• IMDBPro
• Showfax
• Breakdowns (I’m going to leave this one alone)

Do your due diligence.

CD workshop businesses are first and foremost businesses. They are around to make their owners money. The more appealing a workshop sounds, the more likely an actor will sign up. While some workshops are more reputable and ethical than others, the responsibility falls to the actor to do some research before spending his/her money with a particular company.

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